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The Wild Storm by Warren Ellis (Spoilers)


#142

Anyone interested in catching up on some of the previous Ellis Wildstorm stuff might want to check out the sale that’s currently running at Comixology:

All 12 issues of The Authority for £2.99 is a steal. You can also get the recent bumper Stormwatch collections for £3.99 apiece, and all of Planetary for under £20 (£3.99 per TPB and £2.99 for the three specials).


#143

Bear in mind that the second Stormwatch collection doesn’t include WildCATs/Aliens, which is kinda important to that final storyline.


#144

Thanks for UK link Dave, I just realised that current currency fluctuations mean it’s cheaper for me at the moment to buy from there in sterling than the main USD site.

Lorcan has inspired me to pick up the Stormwatch collections, I have read most of it in the dim and distant past but don’t know where they are.


#145

I read the first five Ellis issues of Stormwatch on the tram out to the office this morning! There’s some ropey bits in there, mostly related to the narration boxes, but the stories are so strong.


#146

Yes, definitely! Although you can pick that up pretty cheap as a back issue I think (that’s what I did when I picked up those two Stormwatch collections in HC a few years back).


#147

I remember finding that Ellis’ Stormwatch really improved as it went along. The early issues were a bit generic 90s superhero for me, but some of the later stuff was great and very inventive (the one that really stands out in my mind is the one that explores Jenny Sparks’ history through the filter of comics history).


#148

Where does it fit in?


#149

Between Stormwatch vol.2 #10 and #11.


#150

You can buy it separately here Gar:


#151

In between the last two issues of Stormwatch Volume 2. It explains what happens on Skywatch that kills most of the Stormwatch field agents and leads to Stormwatch being shut down, paving the way for Jenny, Swift and Jack to form The Authority.


#152

I was lucky enough to pick up the Final Orbit TPB when it came out.

Ellis definitely knew what he wanted to do from the first page - dumping half the cast, rearranging everything, and all the while swinging around to the idea that Stormwatch should go after the causes of superhuman terrorism, which is the real instigator of the conflict in Change or Die. And he’s building towards that in smaller ways across those first few issues as well. The one where Stormwatch Black infiltrate the town, and the Synergy solo story are the first mention and appearance of BlissWish, respectively, for example. And they’re slap bang in the middle of Ellis figuring out his own voice. He had the message he wanted to send, he just hadn’t quite figured out how to phrase it for that first six months.


#153

I think I need to go back and reread it with this in mind. Partly I think I lack context for what Ellis was doing as I never read Stormwatch before he took over, so the gravity of some of his changes might have been lost on me a little bit.


#154

Great rundown of those issues.

To me, I am always torn on the art during that era. It was great and all, but felt a little too colorful and super-heroey than what the story called for, maybe? I felt it was the one thing that kind of kept me out of the story completely when it first came out. Maybe the juxtaposition is what they were going for.


#155

[quote=“JLJL, post:154, topic:8296, full:true”]
To me, I am always torn on the art during that era. It was great and all, but felt a little too colorful and super-heroey than what the story called for, maybe? I felt it was the one thing that kind of kept me out of the story completely when it first came out.[/quote]
That was definitely part of it too for me I think.


#156

I think it was around issue 10 when I was giving up on superhero comics and dropped it. One of the things which I liked about the Wildstorm books at the time is that they were really SF action stories with a superhero skin, and Ellis started peeling that skin even further back. Stormwatch was kinda X-men, but the baseline for their missions would be inspecting arms shipments or rescuing civilians in warzones. They’d just wind up fighting superhuman mercenaries or terrorists. I remember randomly reading issues arounf the time he took over,and Ellis turning the series into a police procedural/technothriller felt like an evolution rather than an all out rejection of what came before. Sorta like how Alan Moore’s run on WildCATs took the concept of aliens fighting a covert war on Earth, but gave it the backdrop that the war had been over for centuries and Earth was such a backwater nobody bothered to tell them. It changed the book, but didn’t discard the old material.


#157

Man, those were the days. Claremont, then Robinson, and then Moore on WildC.A.T.s; Ellis’ Stormwatch and DV8; Arcudi’s Gen 13; Dixon’s Team 7. Great times.


#158

Thanks for the heads-up on the sale @DaveWallace
I’ve just gone and snagged it all.
It’s a pretty good selection of stuff on sale. Transmetropolitan, Global Frequency, etc.
I bought Red (having never read it).


#159

It’s kind of funny that the banner on the main ComiXology page for the Warren Ellis sale is for a non-Warren Ellis written book. :wink:


#160

#44, the back of my head says. That was an awesome issue. Loved how the art style changed with each decade, too.


#161

Yes! That’s the one. It looks like there were several variant covers available for that issue too.

http://basementrejects.com/wp-content/uploads/2014/06/stormwatch-44-variant-watchmen-cover-review.jpg