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The Trades Thread - Hardcovers, Graphic Novels, and More


#6965

I got it a few weeks ago I think (Edit: scanning back upthread it looks like it was exactly a month ago), and I’ve been dipping into it every so often, on and off.

It’s a difficult one to ‘time’, because I know some of the stories well enough that I skipped through them quite quickly, but lingered over the covers and other art extras that I’m less familiar with.

Either way, the stories are from an era when storytelling was still reasonably dense, so there’s a lot of value for money here in terms of reading time.

Plus, I can look at Miller art for hours anyway. :slight_smile:


#6966

I love how they’ve included pretty much everything

I’m now debating with myself whether to pick up the daredevil and Elektra Omniboo and punt the trades and singles I have, just to have the complete marvel works in 3 volumes which for a sad fucker like me is pretty cool

Miller is there with Moore and Morrison in the guys who i plan to have everything they’ve done on display on my shelves


#6967

Ha, we are very alike in our tastes. I have dedicated shelves for those three, and I’m a completist for their work in a way that isn’t true for any other creators (although it is for a couple of specific teams - Brubaker/Phillips & Loeb/Sale).


#6968

Oh and there are two DD omnibuses, so it’s four volumes in all.


#6969

£12.09 is the best you’ll probably get, RRP is £17.99, go to BookEtc.


#6970

I’ve said it before, and backed up by several other members here, the second half of Michael Cray is significantly better than the first.


#6971

Ah ok, I saw one that said ‘companion’ and didn’t really understand what they meant by that


#6972

It has Man Without Fear, Born Again, and a few others in the Companion, Chris. Pretty essential.


#6973

Yeah, Love and War too I think.


#6974

Haha
Yeah, just a bit

‘Companion’ seems an odd choice of word for it!


#6975

I think it’s because the first omni collected his Daredevil run proper, and the second is a ‘companion’ to that first volume that mops up everything else.


#6976

I completely forgot to mention in my Marvel Universe By Frank Miller Omnibus review that it actually omits another Miller Marvel story, too: John Carter, Warlord Of Mars #18, his first published work for the company.

Presumably for rights reasons again.


#6977

Brighter Than You Think

Having a favourite writer who has had a long, prolific career is great, as it means you’re constantly discovering ‘new’ works by them. Alan Moore is one of those writers who always seems to have numerous things crawling out of his back catalogue to surprise you, and this softcover book shines a spotlight on some of them, collecting ten fairly obscure short comics stories by Moore, and adding context and analysis in the form of Marc Sobel’s essays that follow each strip.

I hadn’t read any of these ten stories before, so getting this book was like Christmas. (Actually, it was Christmas, as my wife bought it for me as a Christmas present, but that’s just a coincidence.) Since getting it, it’s lived on my bedside table, with its format making it a great book to dip into when I want something short and self-contained rather than a long-form read.

I won’t go through all ten stories in detail here, but what leaps out at you about them is that they’re all so different. A sci-fi allegory revolving around adultery and STDs; an absurdist cartoon about the life of a marketing mascot; a weird neurotic horror tale about a TV gameshow; a non-fiction wartime biography; a defiant poem in celebration of homosexuality; a meta superhero tale about the history of comics; an autobiographical encounter with the spirit of Jack The Ripper; a bizarre parable about competitive Japanese etiquette; a montage of scenes from the life of John Whiteside Parsons; a musing on the causes and effects of 9-11… you could easily believe that each of these stories was produced by a completely different writer, as they’re all so different in tone and subject matter.

What they have in common though, is that they’re all really bloody good.

Paired with lots of different artists - some of whom I was familiar with, some of whom were new to me - Moore’s ten stories collected here all hit home in a different way, employing very different techniques to make their mark.

I loved the ridiculousness of his heartfelt tale of the Kool-Aid Man, with suitably cartoonish art from Peter Bagge:

Then I Keep Coming Back, illustrated by Oscar Zárate, is the polar opposite, a haunting London-set story that veers between an ancient church and an almost-as-ancient pub, where ghost stories mix with Moore’s own real-life experiences in the wake of From Hell.

Mark Beyer’s art on The Bowing Machine is something else entirely, disturbing and almost abstract in places, but perfectly fitting for the weird story that Moore is telling.

And then there’s Rick Veitch bringing a classic 2000AD sort of vibe to Love Doesn’t Last Forever.

This is just a sample of the ten stories collected here, with all of them offering something new and different compared to the others.

But this is only half the package, really. The other half is made up of Marc Sobel’s essays, which situate the stories in their original context (both their publication history and the wider context in which they were produced), and which also pick out key elements of them for analysis.

It’s testament to the density of Moore’s stories that each one sustains several pages of in-depth analysis, even when the original comic only runs for a handful of pages; and Sobel is a decent writer who is able to mix academic and pseudo-academic observations with a more conversational style that makes the essays engaging rather than dry and airless (as with a lot of ‘serious’ comics commentary).

The only real problem I have with the book is that the reproduction quality of the comics themselves often leaves something to be desired. I don’t know if it’s a case of having to scan in the original comics because the art files no longer exist, or whether it’s a paper/printing issue, but some of the stories look really washed-out: particularly the murky In Pictopia, which looks like the whole thing has been smeared in brown mud.

Luckily, the black-and-white stories fare better, but they’re considerably outnumbered by the full-colour strips. They’re all perfectly readable, but the problem takes the shine off the book slightly, (especially when contrasted against its title!).

Don’t let that niggle put you off, though: this collection is still well worth your attention, and I’d love to see another similar book to unearth more of Moore’s lost gems in future.

In the absence of that, though, the endnotes and bibliography section of this collection gives lots of pointers towards other odds and ends that even the biggest Moore fan might have overlooked. Time to hit ebay.


#6978

there are three trades available at Amazon. #3 is a preorder for March 12th


#6979

If someone can find me a copy of B.P.R.D. Hell on Earth hardcover 3 I’d be eternally grateful (what I mean is, a copy for under £100)


#6980

Dark Horse has reissued Volumes 1 and 2 in hardcover already; patience.


#6981

This arrived yesterday:

Can’t wait to read it after the reactions here.


#6982

This arrived yesterday, and I’m vaguely annoyed at how they’ve titled it on the spine:

At least it’s right on the cover:


#6983

Classic omnibuses are often timed with movie releases, so I guess it makes sense that they’d want to play up the Captain Marvel link. It’s a bit of a shame though.

I guess there’s a lot of risk of confusion in general with these legacy characters though - how many Captain Marvels and Ms Marvels are they up to now altogether? :slight_smile:


#6984

It was solicited with the Captain Marvel title so I wasn’t surprised, and I can understand why they did it. It’s not a deal breaker it’s just vaguely… annoying.

I have Mar-Vell in Masterworks so I’m not likely to get an omnibus version, so at least I won’t get too confused :wink: