#1
Posted 06 January 2012 - 06:50 PM
What the hell is that about? He is a nerd, but somewhat good looking, athletic and attractive to girls, and yet he is also a super intelligent super spy, however his life sucks and he works a shitty job in in a best buy and he's a general loser, yet he's also Neo from the Matrix and a superhuman fighting machine who controls the fate of the civilized world.
#2
Posted 06 January 2012 - 06:58 PM
Another show I don't get: "Chuck."
What the hell is that about? He is a nerd, but somewhat good looking, athletic and attractive to girls, and yet he is also a super intelligent super spy, however his life sucks and he works a shitty job in in a best buy and he's a general loser, yet he's also Neo from the Matrix and a superhuman fighting machine who controls the fate of the civilized world.
What I don't get about Chuck is how it got four or five seasons, while Jake 2.0 was cancelled after half a season despite being essentially the same show with better acting and writing.
#3
Posted 06 January 2012 - 07:43 PM
What I don't get about Chuck is how it got four or five seasons, while Jake 2.0 was cancelled after half a season despite being essentially the same show with better acting and writing.
But far more charm and a rather different concept when it first started. Plus it didn't air on a failing network.
#4
Posted 06 January 2012 - 07:48 PM
He's a TV network nerd, no dress sense and scruffy hair, they wont take it any further than that for a lead character (see 'Big Bang Theory').Another show I don't get: "Chuck."
What the hell is that about? He is a nerd, but somewhat good looking, athletic and attractive to girls, and yet he is also a super intelligent super spy, however his life sucks and he works a shitty job in in a best buy and he's a general loser, yet he's also Neo from the Matrix and a superhuman fighting machine who controls the fate of the civilized world.
The premise was simply that he's an underachiever. He could do more, he has skills and strengths, but he hasn't done much with them, and then he's pushed into a situation full of danger, but also opportunity.
It's classic hero territory.
#5
Posted 06 January 2012 - 08:35 PM
But far more charm and a rather different concept when it first started. Plus it didn't air on a failing network.
NBC isn't a failing network?
The reason Chuck lasted five seasons is that it did reliably consistent viewers (until it was moved to Fridays) and NBC will take what it can get.
#6
Posted 06 January 2012 - 10:06 PM
http://www.bbc.co.uk...rammes/b019f8vm
Andrew Graham-Dixon and Giorgio Locatelli are... well drunk. The show was pretty good though.
#7
Posted 06 January 2012 - 10:54 PM
NBC isn't a failing network?
The reason Chuck lasted five seasons is that it did reliably consistent viewers (until it was moved to Fridays) and NBC will take what it can get.
Not in the way UPN was.
Yeah Chuck was saved by it's viewers, what, twice?
#8
Posted 06 January 2012 - 11:03 PM
Not in the way UPN was.
Yeah Chuck was saved by it's viewers, what, twice?
The second season was the big one, with the Subway campaign. It was in some worry at the end of Season 3, IIRC, but that was when the Jay Leno thing blew up and NBC had no other shows to put on.
#9
Posted 07 January 2012 - 02:19 AM
#10
Posted 07 January 2012 - 03:10 AM
Also been watching the first season of Shameless (the US version). I'm thoroughly entertained by it.
#11
Posted 07 January 2012 - 04:15 AM
#12
Posted 07 January 2012 - 05:28 AM
#13
Posted 07 January 2012 - 08:56 AM
(and it's not nearly as much of a thriller as the trailer makes it out to be)
i love this you tube comment for the trailer:
very disturbing. i don't watch movies like this. they are of no good to anyone.
#14
Posted 07 January 2012 - 09:11 AM
very disturbing. i don't watch movies like this. they are of no good to anyone.
I know a few people who are like that. In fact, I know two who are German teachers (for God's sake!) who say they never read sad or disturbing books because they don't see a reason why they should.
Shouldn't be allowed to teach bloody literature to kids.
Anyway, I saw a trailer for this movie a while back, I'd forgotten about it. I'll have to remember to get it, it looks very good, and I love Sarah Paulson and John Hawke.
#15
Posted 07 January 2012 - 09:20 AM
I know a few people who are like that. In fact, I know two who are German teachers (for God's sake!) who say they never read sad or disturbing books because they don't see a reason why they should.
i hear that from people i know all the time. i kind of get it, life is depressing and fucked up, so why make things worse by watching disturbing movies or reading sad books.. but if something isn't all sunshine and rainbows, that doesn't necessarily make it weird or wrong, which i also hear quite a bit.
Shouldn't be allowed to teach bloody literature to kids.
i guess those teachers frown upon teaching The Catcher in the Rye? or Wuthering Heights? or any number of books that are typically on syllabi?
Anyway, I saw a trailer for this movie a while back, I'd forgotten about it. I'll have to remember to get it, it looks very good, and I love Sarah Paulson and John Hawke.
Hawke was good, didn't play a huge role though, and didn't really get a chance to do too much with his character.
#16
Posted 07 January 2012 - 09:34 AM
i guess those teachers frown upon teaching The Catcher in the Rye? or Wuthering Heights? or any number of books that are typically on syllabi?
Yeah, I don't know how you're supposed to teach any literature if you don't get the whole point of it. I love this quote from Kafka:
I think we ought to read only the kind of books that wound or stab us. If the book we're reading doesn't wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief.”
#17
Posted 07 January 2012 - 09:42 AM
Yeah, I don't know how you're supposed to teach any literature if you don't get the whole point of it. I love this quote from Kafka:
I think we ought to read only the kind of books that wound or stab us. If the book we're reading doesn't wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief.”
i don't agree with him.
#18
Posted 07 January 2012 - 10:09 AM
#19
Posted 07 January 2012 - 10:18 AM
I like Kafta but I also disagree with that. I read literature mostly for enjoyment.
i think one can get enjoyment out of something that is disturbing or sad, but he was most definitely being melodramatic, and there is nothing wrong with reading or watching something that makes you happy or uplifted.
#20
Posted 07 January 2012 - 10:22 AM
However, I read a lot of superhero comics and with the exception of a few they're all pretty "safe," in that they don't shake up my world very often, apart from the occasional "edge of your seat read" which isn't quite the same thing (always). Enjoyment reads are fine, and kinda necessary if you're into the heavier stuff, as well. Though for me, I don't tend to get super affected by stuff that I know is fiction, unless there's a really disgusting image or something. Or a dog dies.
Also, while Kafka's using hyperbole, I don't think the kind of books he described can't also be enjoyed. I enjoyed Blood Meridian, not because its subject matter (massacres, basically) gave me joy, but because it so deftly accomplished what it set out to do. The same can be said for my enjoyment of David Lynch movies, which tend to set me on edge, or Martha Marcy May Marlene, which I thought was one of the best films of 2011.
Edited by Will Carper, 07 January 2012 - 10:31 AM.
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