The Dark Knight: Still Risin'
#121
Posted 30 March 2012 - 08:27 PM
#122
Posted 30 March 2012 - 08:42 PM
Or maybe even the origin of Bane or Selina, it could be they have ties to Ras al Ghul as well. I think it's possible Bane was sent by the League of Shadows to do to Gotham what Bruce wasn't willing to do, and what Ras al Ghul wasn't able to do.
#123
Posted 30 March 2012 - 11:05 PM
Or maybe even the origin of Bane or Selina, it could be they have ties to Ras al Ghul as well. I think it's possible Bane was sent by the League of Shadows to do to Gotham what Bruce wasn't willing to do, and what Ras al Ghul wasn't able to do.
I was going to say that but I was sure that Bane being part of the League of Shadows was already something that was being confirmed/discussed already? Or am I making that up?
I'm pretty sure I have an EMPIRE Magazine where Nolan says he liked the idea of a villain who was yet another analogy of Batman. Ras was his mentor and then everything Bruce hated, Joker was on the complete opposite spectrum of Bruce and Bane is the opposite side of the same coin. He's everything that Ras wanted from Bruce. It's really about not repeating what's gone before (like making a watered down Joker) while bringing it full circle and to a close.
#124
Posted 30 March 2012 - 11:07 PM
But I'm not going to look for any interviews, I'm starting to hold back now, ready to wait for the film and remain as spoiler-free as I can.
#125
Posted 30 March 2012 - 11:15 PM
#126
Posted 01 April 2012 - 10:53 AM
Not sure if I see the biological warfare angle, but the rest of it could have inspired Nolan's story, at least.
#127
Posted 01 April 2012 - 04:58 PM
#128
Posted 02 April 2012 - 11:23 AM
Attack of the Batmobile(s)! from Josh Turchetta on Vimeo.
#129
Posted 02 April 2012 - 11:18 PM
#130
Posted 03 April 2012 - 10:27 PM
I still think the Burton one takes some beating.Apparently this will be part of a special feature on the Dark Knight Rises blu-ray. A gathering of Batmobiles:
<iframe src="http://player.vimeo....#38;portrait=0" width="400" height="225" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><p><a href=" of the Batmobile(s)!</a> from <a href=" Turchetta</a> on <a href="http://vimeo.com">Vi...>Vimeo</a>.</p>
#131
Posted 09 April 2012 - 05:32 PM
Otherwise, I really have to say that even though it was more confusing and less straightforward than the prologue for THE DARK KNIGHT, it was interesting.
It brings up a couple questions for me. I don't think these are spoilers, but I'll word them carefully.
First, it seems like Bane will be something like a Bin Laden level terrorist threat. So, I gotta wonder something here - it doesn't seem like a good idea to bring in the full force of the US government, but how believable will it be if Bane starts blowing crap up, and the freaking National Guard don't mobilize on Gotham with maybe even Seal Team 6 and a battalion of Marines? In The Dark Knight Nolan set Gotham up as more than a sort of metropolitan metaphor. It's a real city in the real United States and it co-exists with other cities like Hong Kong. So, if a foreign terrorist already wanted by the Feds used a criminal army to take control or even attack the authorities in New York or Chicago or even Pittsburgh (maybe not Philadelphia or Detroit), the State and Federal Governments aren't just going to sit back and let the local police or some weirdo vigilante deal with it. With the Joker, at least, it was still primarily a criminal operation.
Second, the bank robbery at the beginning of The Dark Knight served a catalytic effect on the story the movie told. It was an event that affected all the players, the mob whose money it was, the cops and Batman who were tracing that money, and the district attorney Dent who used it to force Gordon to let him in on his relationship with Batman. I'm wondering exactly how this prologue will actually impact the story -
#132
Posted 09 April 2012 - 05:41 PM
#133
Posted 09 April 2012 - 05:44 PM
#134
Posted 09 April 2012 - 08:50 PM
http://www.hollywood...3-rating-309633The Dark Knight Rises, the new Batman film from Warner Bros. and director Christopher Nolan, has been rated PG-13. The move is not unexpected (2008’s The Dark Knight had the same label) but it does underscore some interesting tidbits about the movie.
- The rating means Dark Knight Rises is completely finished — sound and score included — more than three months before its July 20 release date. That’s an unusual accomplishment for an epic tentpole movie these days. Most are finalized just weeks before their release. The Amazing Spider-Man, which opens July 2, doesn’t have a rating yet, nor does Prometheus, the Ridley Scott-directed sci-fi film set to open June 8. It also means the cut of the movie screened by Nolanfor top Warners brass March 16 was far from a rough print and was close to his final version. The timeline highlights how efficient Nolan is as a filmmaker.
- The early rating also fires the starter pistol for the most aggressive phase of Warners' marketing plan, according to sources. As a follow-up to a movie that grossed $1 billion worldwide, hit status for Rises seems inevitable. But Warners clearly isn’t leaving anything to chance. With three months to go and a ratings label in hand, Warners will be able to hone its message with laser-like focus. It also means the studio will be able to start screening the movie for taste-makers and critics. If it chooses to, of course.
- Finally, TDKR scored its rating for “intense sequences of violence and action, some sensuality and language.” The 2008 movie was considered envelope-pushing for its intensity — some parents were left wondering why the Batman movie hadn’t been rated R — and the rating leaves no question that audiences can expect the same with the new movie. But by singling out “sensuality” in the label, the ratings board might be indicating that this movie has something new to show about the caped crusader. It might also preview a more emotional side of Nolan, whose films have been described more cerebral than emotion-filled.
#135
Posted 09 April 2012 - 09:10 PM
Can't really read too much into it, though. I don't find Nolan's movies to be all that cold and emotionless, actually. Quite the opposite, I think, since really all his protagonists and antagonists are slaves to their extreme emotions - he just writes the script in a way that gives you a cooler perspective on those drives.
I doubt DKR will be as "sensual" as THE PRESTIGE. I mean, I don't think we'll have a Bruce-Selina make-out scene along the lines of Clooney-Lopez in Out of Sight.
#136
Posted 12 April 2012 - 04:25 AM
#137
Posted 12 April 2012 - 05:36 PM
I don't see that at all.
#138
Posted 12 April 2012 - 05:45 PM
Awesome.
#139
Posted 12 April 2012 - 07:45 PM
#140
Posted 12 April 2012 - 08:40 PM
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