Do you write? ... do tell us all about it.
#1
Posted 02 August 2012 - 02:20 PM
JW CARROLL: Finally finished the first draft for the last issue of the first Jesus E. Lee story arc he’s doing with artist Nick Justus
CP MIDNIGHT: Had his strip "Fell Heat" printed in an American comic anthology (yay him!)[Oh, and please change your user name to a real name... it's an unwritten rule of the board that we use our own names here]
BOVY has not been writing for the past 2 months. He decided to take time out to reframe his writing approach, research, listen and generally get a feel for the market… we expect something impressive from him this month.
SCOTT is working on a couple of short stories
KAVANAGH changed the name of his comic after what must have been a bizarre conversation on the phone and is collaborating big time.
GEOFFREY may pitch for a co-write
JAMES SARANDIS IS Still working on the technical stuff for the motion comic. Working on a Star Wars Short story in hopes of enticing someone at Dark Horse and having issues with the post
NOWHEREBOY To combat Summer boredom, IS fleshing out a project called 'The Ukulele Chronicles: Camp Panther' (and – pretty please- can you tell me a real name I can change your user name to, I feel a little dumb using nowhereboy as a name)
SCOT is waiting for feedback
CHRIS D finished act 1 of his book and things are looking good for the other 3 parts.
SARA is writing a barbarian comic and fine tuning the writing for Hecate Snake Diaries
STUPERRINS is re-working and re-writing a few bits to his james bond/indiana jones in 1930's London type thingy and has been asked to write some stuff for Nova619
TONYCAL was working on a short story that I will be putting on Amazon for the Kindle and other E-readers and considering a writing competition
JEFFREY was working on his web comic, writing a one-shot and a mini-comic
As for me, I was going to take part in a writing competition till work imploded and I ended up missing my deadline, which will teach me to get the writing done as soon as I decide to take part rather than leave it for “when I have more time”
What happens next? Tell us all about it.
#2
Posted 02 August 2012 - 09:22 PM
Also, I think that radio play of mine is about due to be produced; I should find out where they are at...
#3
Posted 03 August 2012 - 12:14 AM
No artist or anything yet though. Just writing for the heck of it, and to give me something to do.
Edited by Mike Ohsfeldt, 03 August 2012 - 12:15 AM.
#4
Posted 03 August 2012 - 02:15 AM
Good luck Bovy and Mike!
As for Christian, good luck to you too, and congrats on the radio play!
Thanks again for the thread Alice you're awesome!
#5
Posted 03 August 2012 - 01:40 PM
#6
Posted 04 August 2012 - 02:09 PM
Friend of mine is putting together a zombie anthology, and I need to find some time to write something for it (this is just a for-fun , non-paying thing, of course).
Prose or comics?
#7
Posted 04 August 2012 - 04:25 PM
#8
Posted 07 August 2012 - 01:24 AM
I'm working on a five issue mini-series with Mikus Duncis. Self published. And I'm also working on a essay/20 minute talk on comics and multiculturalism for a symposium in November.
I feel like an academic. But I will always be a lion first....rawr.
#9
Posted 07 August 2012 - 01:39 PM
Just finished writing a six page strip called "Gremian The Machine Elf". It is being drawn by my long term artist buddy Andrew Hartmann.
#10
Posted 07 August 2012 - 09:06 PM
I'm banging my head against a wall trying to organize acts, events and scenes. I've tried a few screen-writing books and i'm working my way through and trying my damnedest to study McKee's 'Story', but the more work i put into it the more i'm confusing myself.
Any help/ comments/ critiques would be greatly appreciated.
#11
Posted 08 August 2012 - 07:28 AM
[img[http://web.cn.edu/kw...ges/Freytag.jpg[/img]
My advice would be not to get too worried about the details of the plot. Make sure that you've got a basic structure that works, but stay loose enough that you don't feel boxed in; the details are bound to change, anyway.
What problems do you have with it, exactly?
#12
Posted 08 August 2012 - 07:51 AM
Ah, well, we already have a Jimmy Furlong in our database so I hereby name you Jimmy F.Madame Alice, my name is Jimmy Furlong. I will alter this as soon as I figure out how, deepest apologies for the breakdown in electronic etiquette.
Just finished writing a six page strip called "Gremian The Machine Elf". It is being drawn by my long term artist buddy Andrew Hartmann.
Thank you
#13
Posted 08 August 2012 - 06:15 PM
#14
Posted 09 August 2012 - 01:24 AM
That's a bit difficult to do in the abstract. Those screenwriting books usually do a good job at explaining the typical structure, though they can be a bit too inflexible. It all gets down to Freytag's pyramid (from the 19hundreds), really:
[img[http://web.cn.edu/kw...ges/Freytag.jpg[/img]
My advice would be not to get too worried about the details of the plot. Make sure that you've got a basic structure that works, but stay loose enough that you don't feel boxed in; the details are bound to change, anyway.
What problems do you have with it, exactly?
Thanks, dude!
I've done my best at learning about the pyramid, dramatic structure, Fields paradigm and the like: I'm getting confident with them.
I've got my characters, my intro, ending and major conflict. I know how i want my Acts to turn and the minor conflicts that drive them. After that, i think it's just too many ideas vying for attention and me without a way to effectively organise them. Once i'm at this stage, everything gets confusing and turns into nothing more than a series of loosely connected events - s**t, in other words.
Do i want to maybe break down my major Acts into smaller Acts made of scenes that work like even smaller Acts, each of which turn values before turning a major value at the end of each major Act. Or am I just talking nonsense and completely barking up the wrong tree?
Half the time, I don't even know if i'm asking the right questions.
#15
Posted 09 August 2012 - 08:33 AM
It's good to have a plan, but you have to be able to change it, anyways, so it doesn't pay to be too precise about it. At least, that is the way it works for me.
#16
Posted 09 August 2012 - 10:22 AM
Every writer wants what they produce to come out perfect first time and it is that very thought that sometimes stops us even starting. "Hey if I don't actually write it, it can't be unperfect right.". The reverse is true, you will have to make mistakes. Lots of them. What you must get into the habit of is starting and finishing scripts. Even if you do not fully understand the edit process. Just finish something, get it out there, get some feedback and start your next one. Let earlier scripts "cool" over a period of time and then go back to them. I guarantee if you have continued writing in the interim your skill will have grown and errors will leap out from the page. So begins the edit process. With each new script you sharpen your skills. Every writer's process is unique, you will eventually discover your own.
Hope this helps.
#17
Posted 09 August 2012 - 03:29 PM
Time to get stuck in then, I suppose.....
#18
Posted 11 August 2012 - 06:40 PM
#19
Posted 11 August 2012 - 08:07 PM
#20
Posted 17 August 2012 - 01:04 AM
Working on my second novel, first draft should be finished by Sept 1st. Also doing some brainstorm on some anthologies I am considering on writing.
Second? Much respect. What is it - and the first one - about? Where could an interested party pick up a copy of the first one if it so happened?
As for me, I just finished my draft of the graphic novel collaboration today, and am waiting for my co-writer to tear it to shreds.
I'm about halfway through a TV pilot I'm writing for a screenwriting contest. It's early days but I hired a script editor who said the opening completely captivated her (that's what I pay her for! Haha!).
I have an artist interested in a project I wrote last year, but he's knee-deep in paying work at the moment, so it's just a matter of waiting for free time to do it.
I'm looking for an artist for another project I'm working on, a superhero team tale entitled "The Perfectors" which could best be described as what would happen if the Avengers were run by the G.W. Bush administration. Issue one is done and I have the first story arc roughly planned out (gonna shoot for a series of graphic novels type format).
@ditta. If you're working with Mikus, that five-issue series will be done in like twenty minutes. The guy is, put simply, The Flash.
@ Alice. Commiserations on not getting your submission done in time. I think every writer gets hit with that and it always sucks to the Nth Power.
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